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2001
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| conference 2001 | |
| papers 2001 | |
| program | |
| speakers | |
| summaries of presentations | |
| conference 2003 | |
| conference 2002 | |
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| Topic | Presenter | Presentation Title | |
| Welcome to the Ozeculture conference | The Hon Peter McGauran, Minister for the Arts and the Centenary of Federation | The Hon Peter McGauran, MP - welcome speech | |
| Dinner Presentation |
Dr Terry Cutler |
Dr Cutler's dinner presentation | |
| Beyond Borders - the digital challenge | Jennifer Condon, National Informatics Director, Enterprise Ireland |
Digital Media - A view from Ireland | |
| Kim Machan Director, Multimedia Art Asia Pacific Inc. |
The Digital Challenge - The eBusiness capacity of the cultural sector | ||
| There's no business like e-business - the e-business capacity of the cultural sector. A range of speakers present case studies demonstrating successful use of the web by cultural sector organisations. | Steven Smith Director, United Focus Pty Ltd. |
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| Garry Brennan Policy Consultant, NSW Film and Television Office |
There's no business like e-business | ||
| Vicki Sowry Director, Media Resource Centre and Chair, Australian Network for Art and Technology |
Screenarts & Screentour | ||
| Brett Leavy Director, CyberDreaming |
CyberDreaming |
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| Triple bypass - does the Internet allow artists and cultural organisations more direct access to audiences in ways not possible before? | Tim Hart Director Outreach, Information Technology and Multimedia, Museum Victoria, formerly Chief Information Officer, Powerhouse Museum |
Impossible Knowledge - Museums and their Internet Audience | |
| Kevin Sumption Project Manager, Australian Museums and Galleries Online (AMOL) |
Beyond the museums' walls - A critical analysis of emerging approaches to museum web-based education | ||
| Charlie Chan Musician |
Charlie Chan and her interactive musical world http://www.charliechan.com.au/ |
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| Shop till you drop (the mouse) - Doing business over the net: selling online. | Libby Jeffery OzAuthors |
OzAuthors & the digital advantage: securing a place in the knowledge economy | |
| Kylie Bryden-Smith, Marketing and Media Relations Manager, Sydney Opera House |
Sydney Opera House - Online Ticketing and New Technologies | ||
| Interactive online music demonstration - Soundhouse Interactive Network, Powerhouse Museum. | Sebastian Chan Creative Producer, Soundhouse Interactive Network |
soundbyte.org - summary |
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| Peter Mahony Project Manager, Soundhouse Interactive Network |
soundbyte.org - summary |
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| Digitisation of collections - why, how and who of Australian collections. | Danielle Freeman Manager, Picture Australia, National Library of Australia |
Picture Australia as an example of why, how and who | |
| Michael Tuite, Senior Manager, eBusiness and IT, ScreenSound Australia |
Digital Archiving & Delivery at ScreenSound Australia | ||
| Simon Pockley, Collections Manager, Cinemedia |
Collaborative Cataloguing of Moving Images | ||
| Talent quest - what's happening in the computer games industry in Australia. | John Demargheriti, Chief Executive Officer, MicroForte |
What's Happening in the Computer Games Industry in Australia? | |
| Julianne Lawson, Arts Consultant, formerly Creative Director computer games industry |
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| Adam Lancman, President, Games Developers Association of Australia, Managing Director, Infogrames Melbourne House Pty Ltd |
Games Industry in Australia | ||
| New ways with old things - virtual exhibitions. | Marjolein Towler, Deputy Chair, Imago Multimedia Centre, Project Manager, Duyfken website |
A Moving Target | |
| Lee Adendorff, Website Coordinator, Australian Museums and Galleries Online (AMOL) |
Joining the dots: Museum trails and online cultural tourism | ||
| Keeping an even keel - forget the hype - make the new technologies work for you. | David Walker, Producer, Lighthouse on the Web |
The high costs of Net hype and how to avoid them | |
| Exposure v exploitation - intellectual property issues raised by digital technologies, including peer to peer. It started with music, anything which can be digitised may be next. How to use the net but manage your risk. | Chair: Elizabeth O'Shea Manager, Rights Management, Department of Communications, Information Technology and the Arts |
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| Delia Browne, Executive Director, Arts Law Centre of Australia |
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| Vanessa Rouse, Marketing Development Manager, Next Wave Festival, formerly Executive Producer, Arena Theatre Company |
Exposure v exploitation | ||
| Vivien Johnson, Senior Australian Research Council Fellow, Centre for Cross Cultural Research Australian National University |
Centre for Cross Cultural Research Australian National University |
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| Robin Wright, Manager, Copyright and Digital Projects, Swinburne University |
Managing Intellectual Property in Digital (or digitised) Material held by Cultural and Educational Institutions | ||
| Homegrown - building local cultural content in the era of the international electronic marketplace. Matching a highly developed Australian information technology infrastructure with a vibrant local content and cultural expression. | John Rimmer, Chief Executive Officer, National Office for the Information Economy |
Australian Content- New Imperatives and Opportunities in the Global Electronic Markertplace | |
| Getting to know you - partnerships and relationships between the cultural sector and the information technology industry. What each have to contribute to the other. | Chair: Cliff Smith, Regional Director, South Asia, Novell, Inc., Councillor, Australian Business and the Arts Foundation |
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| Lynne Spender, Director, Australian Interactive Multimedia Industry Association |
Australian Interactive Multimedia Industry Association http://www.aimia.com.au/ |
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| Carolyn Guerin, Artist, former Director Projects, Sausage Interactive |
Partnerships and relationships between the cultural sector and the information technology industry. What each have to contribute to the other | ||
| Will Berryman, SBS Head of New Media |
Getting to know you | ||
| Two plus two equals five - success stories of collaboration between artists and information technology companies, including examples of information technology professionals involved with boards of cultural organisations. | Dr Nigel Helyer, New media artist, member New Media Arts Board, Australia Council |
Sonic Landscapes - a collaborative Research and Development project between Lake Technology and Dr Nigel Helyer | |
| Teresa Crea, Artistic Director, Doppio Parallelo Theatre Company |
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| Windows on the world - the importance of portals. | Neville King Project Officer, e-commerce, Desart Inc. |
Windows on the world - the importance of portals | |
| Kevin Sumption, Project Manager, Australian Museums and Galleries Online (AMOL) |
A critical analysis of change management strategies for cultural portal development - a case study of Australian Museums On Line | ||
| Grant Malcolm, Theatre Australia Web Administrator |
Micro-investment: Building community ownership of the arts | ||
| The new venues - interactive spaces. | John McCormick, Director, Company in Space |
Company in Space |
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| Ross Gibson, Creative Director, Cinemedia's Australian Centre for the Moving Image (ACMI) |
Cinemedia's
Australian Centre for the Moving Image |
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| David Stonier, Manager - Ticketed Events, Melbourne Museum |
Melbourne Museum - Immersion Cinema Experience |
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| Growing old gracefully - the dilemma of software and hardware used for artworks becoming outdated and hard to obtain. | Jon McCormack, New media artist |
Preserving [Im]material Reality | |
| Ian Gilmour, Manager, Engineering and Research Group, ScreenSound Australia |
Paper and music presentation | ||
| Beth Jackson, Director, Griffith Artworks, Griffith University |
Collecting the virtual: acquiring digital media | ||
| How well is your website? - an expert panel takes a careful look at three selected websites. | Steven Smith, Director, United Focus Pty Ltd |
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| Will Berryman, SBS Head of New Media |
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| Kevin Sumption, Project Manager, Australian Museums and Galleries Online (AMOL) |
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>>Publishing Disclaimer
The papers and presentations on this website are supplied with the agreement of the contributors, who retain copyright in these works. The opinions expressed in these presentations are those of the presenter and/or their organisation. These opinions do not necessarily reflect the opinions of the Department. Please direct all enquiries about the conference or the papers/presentations to the OZeCulture email address: ozeculture@dcita.gov.au.
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